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But in way, humans are still responsible for its threat. A crisis begins when a flying saucer lands in Washington, D.
He's promptly shot by a trigger-happy human soldier. That sends Klaatu's robotic assistant, Gort, into action. You don't want to mess with Gort, and not just because he's a silvery behemoth so imposing that he makes Shaquille O'Neil look like Mini Me from the "Austin Powers" movies.
Gort wears a visor equipped with a disintegrating ray gun capable of turning the armaments wielded by puny humans into wisps of vapor.
We bone-bags are pretty much helpless against him, and that's the whole point. At the climax of the movie, soldiers again attack Klaatu and apparently kill him, only to see him revived by Gort's mysterious, vaguely defined powers.
But Gort, probably the most recognizable sci-fi robot after the Terminator, is more of a deterrent killer robot than an evil one -- at the end of movie, the aliens inform Earth that he and other killer robots are being left in place around Earth to deter human aggressiveness, and that if we try to extend our murderous ways into space, they're empowered to wipe out humanity.
As sci-fi historians Michelle Le Blanc and Colin Odell write, "This paradox is one of many that typify the film -- the threat of unimaginable violence as a means to prevent war" [source: Westfahl ].
In the fictional dystopia depicted in the "Matrix" trilogy of films directed by the Wachowskis in the late s and early s, the basic scenario is that reality is a computer-generated illusion , and that a giant artificial-intelligence network has taken over Earth and reduced humans to comatose husks deluded by data, who are kept alive only to provide body heat and electrical energy that can be siphoned off to power the network.
Not all humans are down with that, however, and a motley assortment of meat-body rebels -- including a superhuman savior-prodigy named Neo, portrayed by Keanu Reeves -- persist in doing battle with the Matrix and its robotic minions [source: Greenwood ].
Perhaps the scariest of the latter are the Sentinels -- giant cephalopod-like automatons -- who are sent down into the sewers and underground passageways of long-dead human cities to stalk human rebels and destroy them.
In one of the more intriguing life-imitates-art twists in technology, a Glasgow, Scotland-based company named Breval in unveiled an actual robot modeled after the Sentinels.
Breval's Wizard robot , however, is much smaller than the Sentinels, and equipped with eight wheels rather than metal feelers.
More importantly, its mission is to clear ventilation ducts of bacteria and other contaminants, not humans [source: Christensen ]. Science fiction author Philip K.
Dick was a master of the killer robot genre, partly because he imagined a future in which technology would become so advanced that the distinction between humans and machines would blur.
And that works, because we all know how over-the-top murderous humans can be. Dick achieved his greatest fame from the film "Blade Runner," based upon his novel "Do Androids Dream of Electric Sheep," which depicts a policeman portrayed by Harrison Ford in pursuit of a killer android named Roy Rutger Hauer -- who, as it turns out, is not so different from his nemesis.
But Roy's menace is tempered by one fact: He murders not out of blood lust, but in a futile effort to survive past his expiration date.
For pure kill-all-humans evil, we're better off with the Claws from Dick's short story "Second Variety. The problem is that the Claws, who are anthropomorphic, do their job too well.
After they kill off the Soviets, they need a new reason to exist, and thus set their sights on eliminating the Americans -- and eventually each other [source: Dick ].
The Claws were the inspiration for the killing machines in the movie "Screamers," which takes the Dick story and sets it on a mining colony in another solar system.
The Marvel Comics Web site describes Ultron as "a criminally insane rogue sentient robot dedicated to conquest and the extermination of humanity.
Ultron isn't a robotic slave driven into a rage by his servitude, like Rossum's robots, or an avenging angel like Gort, who seeks to deter humans from their own evil nature.
Nope, Ultron is just a thoroughly unredeemable mess of metal, who just hates people because, well, that's what it does. He gets that from his human creator, the scientific whiz Dr.
Henry Pym, who initially gave Ultron a pathetically weird body -- basically, a torso on tank treads with spindly arms -- and endowed it with a copy of his own twisted brain patterns as operating software.
As a result, Ultron quickly developed an intense hatred for both Pym and the human species in general, and after overpowering his creator and taking over his lab, the machine rebuilt himself into a broad-chested behemoth.
Pretty soon, he's tangling with the Avengers, and creating a series of new and even more powerful bodies for himself. In the process, Ultron expands his mission, aiming not just to wipe out humanity, but all organic life as well.
But even exterminating robots get lonely. At one point, Ultron tried to create a mate for himself called Alkhema aka "War Toy".
But first romances usually end badly, and this one was no exception; after quarreling with Ultron about how quickly all life on Earth should be wiped out, Alkhema not only stomped off in a hissy fit, but actually helped the Avengers foil one of her ex's fiendish plots.
That'll serve him right [source: Marvel ]. These nasty machines appeared in a cycle of classic episodes of BBC's sci-fi drama "Dr. Who" in the late s, entitled "The Robots of Death.
The "miner" is run by a small human crew, with the assistance of a robot workforce equipped with strange, Greek statue-like metallic faces and red eyes.
Who portrayed by Tom Baker discovers that the crew is a bit freaked out, because they're being picked off, one by one, by an unseen killer.
The latter turns out to be the evil human scientist Taren Capel, who as a child who was raised by robots, in a curious reworking of the "Tarzan of the Apes" narrative.
Even though he has a meat body -- undoubtedly, to his chagrin -- Capel is a robot supremacist, and he busily reprograms all of the mining ship's robots, the Vocs, to kill the remaining members of the human crew.
Unfortunately for Capel, Dr. Who tricks him into inhaling helium, which alters his voice, which causes the killer robots not to recognize him as their co-conspirator, so that they kill him.
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